Supporting dancers – learnings from across the globe

Jennifer and I recently visited Berlin to attend the very first IOTPD (International Organization for the Transition of Professional Dancers) meeting focusing specifically on one to one support for dancers.

Over a period of three days, 18 representatives from 8 countries shared the different challenges they were facing, gave an overview of the one to one support they offer to dancers, and received training by a professional coach.

The discussion reaffirmed that dancer transition to a post-performance career is a unique experience, but with the right support can be positive and exciting.

It was fascinating to see how other IOTPD member countries provide such different services to dancers to support them in their transition. Here is a little overview:

  • In order to be better prepared for academic studies, the Korean Transition Centre (Dancers’ Career Development Center) have set up an Academy for dancers which offers pre-courses in Arts Management, Stage Management and Rehabilitation;
  • In addition to grants, the Career Transition For Dancers /The Actors Fund in America (The Actors Fund) offers individual career counselling to help dancers find and secure new careers; a Dancer Support Group, which helps dancers manage grief, loss and change; and a Creative Entrepreneurship Program, where business savvy dancers can widen their knowledge on the world of business and develop the skills that are needed for success;
  • The Canadian Transition Centre (Dancer Transition Resource Centre) offers counselling in five different areas: Academic, Career, Financial, Legal and Personal to support dancers tackle various difficulties that may arise on their transition journey.

We’ve come back with several great ideas on how to develop our transition support services for dancers further, and we look forward to continuing our important conversations with our international colleagues.

Thank you to Sabrina, Inka and Heike at Stiftung Tanz for hosting us.

Four key questions to consider in your career transition

I meet many dancers who are at various places across the spectrum below with regard to their career transition:

All are great positions to be – from having no idea – where a myriad of possibilities are open for you to explore, to having some idea – meaning you can start testing out and exploring in more depth, to having so many ideas you don’t know which to choose – meaning you have a luxury of choice and can apply the next level of criteria (whether they be earning potential, speed of training or sheer fulfilment factor.)

I’d encourage every dancer, no matter where you are on this spectrum, to consider four key questions:

1.      What are you most passionate about in life?

2.      What are you particularly good at, or skilled in, beyond dance? Could be teaching, talking to people, understanding the science behind movement, or composing amazing camera shots, could be cooking nutritional foods.

3.      What does the world need, or need more of? From more abstract answers such as ‘compassion and patience’ or ‘fighters for justice’, or more job specific such as ‘great primary teachers’ you will have a view – and there are sites you can check to see which jobs/functions are massively in growth.

4.      What you can be paid for – now?

It can help to draw 4 overlapping circles to help you explore this, to get to the Japanese ‘sweet spot’of ikigai, which roughly translates as ‘reason for being,’ where all four areas intersect.

In a perfect world, we’d all find the sweet spot in the middle, and going through this process can help you to identify a number of different options for your future.

For more information, or help exploring your next steps, book an appointment with a DCD coach by emailing dancers@thedcd.org.uk or find out more here.

More than one true calling

What’s your calling?  What have you been put on earth to do?  What are you passionate about?  For many, this question is a luxury, as we work various jobs to make ends meet, or fall into careers rather than actively choosing them.

For professional dancers, their dance career is the near-miraculous marriage between a passion, a calling and peak talent.  It becomes more than a career – instead, an identity, creating a specific challenge to overcome in the acceptance of the need for transition.

And not only that, in coaching professional dancers on their transition to new careers post performance, one of the things that strikes me is the common belief that, having only had one career to date, the same must be true post dancing: The belief and pressure to find the next one true career.

And it’s no surprise – in fact, we are trained to believe that we must choose just one thing from a very early age. Which, to me, creates a whole load of pressure to ‘get it right.’  And we start this training really early, as the TED talk ‘More than one true calling’ highlights.  As early as ages three or four, we ask children “What do you want to be when you grow up?”  (Incidentally, this is an early example of linking job with identity.)

So, as dancers come to consider and imagine their lives post performance, having dedicated between 20 and 25 years of their lives to this one career (combination of training and professional career), it can be really scary and pressurised to not only consider ‘what next’ but to imagine that there must just be one thing.

What if, instead, we encouraged children, teens, young adults and anyone going through a career transition, to think and talk about what interested them?  To reflect on what they enjoyed, and what about a specific activity or interaction or environment that they enjoyed?  Doing this recently with a coaching client, she generated a whole list of areas that interested her. Digging deeper, she was able to identify what made those things interesting – and in so doing, effectively created a list of criteria against which she could evaluate training or career options for the future.

And who says even then we can only do one thing?  As an independent facilitator and coach, I get my work and satisfaction from more than one source, whether that be my own private corporate, charity or individual clients; freelance work I do for larger companies; or work I do with partners like DCD (Dancers’ Career Development.)  Some areas generate more financial return than others, others more personal reward. Over time, I’ve managed to create more space for work I enjoy and gradually reduce the amount of work I do on projects that interest or inspire me less.

What if careers post performance could combine interest, passion and the reality of needing to earn a living?  Perhaps part time yoga/pilates teacher, ballet teacher and freelance dancer?  Or part time office job combined with independent personal training?  Or any manner of combinations that help to fulfil your desires and your pocket.   So few people have a job that satisfies every part of them in any case – so why not take a portfolio approach instead?

My job satisfies my professional interests, my need to contribute, some of my skillsets and (usually) my financial needs.  And I have needs outside those that I meet in other ways:  Social or activity groups to meet my need for a sense of belonging or community; friends that meet my need for closeness and being the 100% unguarded me, as well as my need for laughter and fun; courses and development that meet my constant need for learning & development (that may have nothing to do with my career intentions, for example my recent qualification in Indian Head Massage.) We are all more than our jobs.

In placing so much importance on finding the ‘one thing’ to do or be, I believe we limit ourselves and even cut ourselves off from the different facets of ourselves that make us fascinating human beings.  And – of course, if you do have a burning passion or calling and can do that – that’s great too.

My message:  There is no right or wrong way to do this. Explore every part of yourself and find a way to honour your many needs and interests.  Be unlimited.

 

Inspiration:  TED:  Emilie Wapnick: Why some of us don’t have one true calling, Oct 2015

Click here to watch.

The evolution of DCD

Hello there. And welcome to our new look.

This new look and website, which we’re very excited to share with you, are a reflection of how DCD, and our support for dancers in transition beyond a performance career, has evolved.

Our new look is based on the concept of the core – the strength of the centre, a determined focus and the fact that we know that, no matter at what point they are in their lives, a dancer will always be a dancer. It is not what they do, it is who they are – to their very core.

Our new logo is a circular brushstroke of continuous movement, as there is in dance and in the life long journey of career transition, with DCD and our support for the individual at the centre.

Originally founded in 1973 as ‘The Dancers’ Resettlement Fund’, we changed our name to Dancers’ Career Development in the 1980s as a result of DCD expanding our work to support all professional dancers in the UK to successfully transition beyond a performance career.

This change reflects the more rounded service DCD offers to dancers in terms of sustainable, long term career development.

Over time, the balance has shifted and the support services that dancers are increasingly coming to us for are those around practical, emotional and psychological support, including upskilling, coaching and workshops.

This new website will make accessing our support even easier for dancers, and demonstrate to our partners how they can help change the life of a dancer in transition.

As we respond to the changing needs of dancers, by offering initiatives such as our new online networking platform DCD Connect (coming soon!), and creating paid work experience placements for dancers through our Career Insights Programme – dancers will continue to be at the core of everything we do.

 

If you would like to support DCD to continue to change the lives of dancers in transition beyond a performance career, click here.

 

With enormous thanks to all those who have contributed to the creation of this new look and website: Brand Designer Nat Cowx; Web Developer and DCD supported dancer; Greig Cooke; and including photographs by Photographer Karen Hutchins,  Patrick Baldwin and Caroline Holden and Photographers and DCD supported dancers Lindsey Brook, Tim Cross, Nicole Guarino, Rimbaud Patron, Pierre Tappon, Stephen Berkley-White,  Andrew Ross, Johan Persson and Tyrone Singleton.